Peter Noone has heard it for years: “You should write a book!” After all, the lead singer of British Invasion band Herman’s Hermits certainly has a lot of stories he could tell.
About hanging out with members of the Beatles and the Stones in swinging London clubs like the Ad Lib and the Scotch of St. James. About touring all through the world. About recording any of their classic ‘60s pop hits like “Mrs. Brown, You’ve Got a Lovely Daughter,” “I’m Henry VIII, I Am,” “There’s a Kind of Hush,” “I’m Into Something Good,” “Can’t You Hear My Heartbeat,” and “A Must to Avoid” among them.
He says he keeps telling his agent he’ll “do it in ten more years” and that there’s no drama to his career and people might not be interested. But pressed, he’s at least got an idea for a true-life intro.
“It would start on August 6, 1963, in field near my grandmother’s house. That’s where a bass playing friend and I went to see the Beatles who were performing at a country fair or something like that to 112 people. They had just come back from Germany,” he offers.
“My friend sees them, quits his band, and never touches instrument again. But me, I was inspired! I needed to find guys who would work 10 hours a day on being different than the Beatles and make it, and steal those young girls and boys in the audience. It’s me thinking ‘how can I be part of this?’ And then the book finishes three years later. It’s just a magical trip.”
The Manchester, England-based band’s name came, famously, because some of Noone’s friends thought he resembled the character of Sherman from the “Rocky and Bullwinkle” cartoons. “Sherman” became “Herman,” which morphed into “Herman and the Hermits” and finally “Herman’s Hermits.” In addition to Noone on vocals, the lineup would shift a bit until settling on Derek Leckenby (lead guitar), Keith Hopwood (rhythm guitar), Karl Green (bass), and Barry Whitwam (drums).
Today, the music of Herman’s Hermits is unfairly dismissed by some as fluffy pop, with bands like them, the Dave Clark Five, and Freddie and the Dreamers on one side of an imaginary line while “serious” bands like the Beatles, Stones, Who, and Kinks on the other. And while it’s true that latter group wrote most of their own material and experimented more, Noone says his band never wanted to be like them.
“We made a conscious decision at the beginning that we weren’t going to be a band that made records to impress other musicians. We wanted to impress young people and make music that they could play right after the BBC News. And we only had one radio station!,” Noone says. “The A-sides were always something upbeat, though sometimes we’d put something different on the B-side. I mean, our song called ‘The End of the World’ was the B-side of ‘I’m Henry VIII, I Am.’ Talk about a dichotomy!”
He notes that producer Mickie Most often brought songs to the group to record, including tracks like “Bus Stop” and “For Your Love” that, when they didn’t gel for the Hermits, became hits for the Hollies and Yardbirds respectively.
“Well, Mickie wasn’t so much a producer as he was a director. But he was my best friend, the best man at my wedding, and my daughter’s godfather,” Noone says. “We completely understood each other musically. If I talked about the reverb on the Everly Brothers’ ‘Walk Right Back’ he knew what I wanted. He knew how to pick a melody, and how I should sing the words so they would make sense and people would believe it.”
Noone left Herman’s Hermits in 1971, and members have toured in various combinations and periods of activity over the years. Green and Hopwood no longer perform actively, and Leckenby died in 1994. After some legal wrangling, Noone now fronts “Herman’s Hermits featuring Peter Noone” while Whitwam has his own version of the band, playing mostly in Europe.
In addition to a very, very active touring schedule, Noone currently hosts the Sirius/XM radio show “Something Good with Peter Noone” where he spins mostly ‘60s tunes and tells stories and anecdotes. But the energetic 71-year-old (who still looks impossibly younger) has no plans to slow down, with plenty of shows booked through the rest of the year. “A lot of people my age start to wind down, but not me. I’m really enthusiastic about the future, and naively optimistic about the future of the world,” he says.
He also recently released a cover of the Easybeats’ 1966 hit “Friday on My Mind” with the retro-sounding band the Weeklings. Noone’s version is surprisingly strong, more urgent and frantic than the original. And coming from the perspective of a man who has spent too many weeks working a shit job and really can’t wait for the weekend and time with his lady love.
A version of this article originally appeared at HoustonPress.com